However, there were things in the latest May 18 Joe Flint penned WSJ piece which gave me pause, specifically his scolding of Warner Bros. Also good on canceling CNN+ and saving money I like my news live, not delayed. Despite the $70M spend on Focus Features’ sublime The Northman (which was co-financed by New Regency), at the end of the day, the surplus from Jurassic World Dominion and the next Minions should help back up for any shortfalls.įirst of all, bravo on Zaslav for committing to 20 to 25 theatrical titles annually (up from last year’s 17) and giving them an exclusive window as they’ll perform better on HBO Max vs. As the old movie business adage goes, let the upsides of the blockbusters pay for the riskier bets. “The studios should be willing to lose money for a couple of years on art film divisions, and in the end they will be happier,” Gray told us. If there’s no breadth of product, how do create culturally impactful cinema going forward? Especially now as we come back to cinema during Covid, there’s the belief that only tentpole franchises and superhero movies work. James Gray, who was here at Cannes with another Focus Features title this past week, his autobiographical Armageddon Time, which received rave reviews, spoke to us about his fear on how many studios are abandoning broad slates. And we talk diversity, it doesn’t just mean appealing to various demographics, but different types and scales of movies. Together, Universal and Focus are providing 30 movies to cinemas this year. might sound like a broken record, it’s true. One thing you have to hand to Universal, despite Jeff Shell’s desires and previous experiments to crunch the window, is that in the end, they’re committed to theatrical and building a diverse slate. New Era will be on a 17-day exclusive theatrical window per Universal’s plan with movie theaters. Some exhibitors have mentioned that Downton 2 repped the first time they saw older patrons since pre-pandemic. Big improvement over doing the lot again and this should work whatever has caused the problem.Again, from an exhibitor’s point of view (especially arthouses), not a studio’s accounting department, A New Era reps more business in the wake of Focus Features’ The Northman and A24’s Everything Everywhere All at Once which is officially the studio’s top grossing movie stateside with $52M. A simple fix might be an option to delete all wires from the schematic and from internal storage so that the user can wire it up again. The only solution is to throw the lot away and start again. Having the net calculation fail is extremely frustrating. The net effect seems to be short sections of wire under the one that has been drawn that remain when the one on top is deleted. Mouse clicks set where the wire changes direction. It would be best to disable this attempt at automation and keep the wire straight as the changes it makes generally wont be suitable anyway. In fact they only seem to select with a right click. I do correct the position of the end of the wire to obtain a straight line but sometimes when I delete a line a couple of small wires are left behind that are hard to select and delete. Drift off a straight line and it will try and auto correct the path of the wire. I think this may have something to do with the way wires behave when they are drawn. One other problem, Net generation failing after changes have been made to the circuit. Adding a high pass rc filter to the output also prevents simulation. I've been trying to use qucs for some audio type work using a tl071 on a single rail.
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